SCAPIGLIATURA
A "Pandemonium" to Change Art
Milan, Palazzo Reale
June, 26th - November, 22nd - 2009
Texts: Annie-Paule Quinsac |
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| Room 1 |
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PICCIO: « an ‘artist of the future’, fifty years ago» |
| Room 2 |
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THE SIXTIES: The Precursors |
| Room 3 |
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THE SIXTIES: The elaboration of a new pictorial language: Ranzoni and Cremona |
| Room 4 (1) |
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THE SEVENTIES: The brotherhood Cremona, Ranzoni, Gignous |
| Room 4 (2) |
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THE SEVENTIES: The brotherhood Cremona, Ranzoni, Gignous |
| Room 5 (1) |
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THE SEVENTIES: The «Cremonians» |
| Room 5 (2) |
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THE SEVENTIES: The «Cremonians» |
| Room 6 (1) |
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THE SEVENTIES: Giuseppe Grandi: birth of a painterly concept of sculpture |
| Room 6 (2) |
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THE SEVENTIES: Giuseppe Grandi: birth of a painterly concept of sculpture |
| Room 7 |
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THE EIGHTIES: Daniele Ranzoni’s estrangement |
| Room 8 |
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THE EIGHTIES: The Cremonians and the new generations |
| Room 9 |
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THE EIGHTIES: The Cremonians and the new generations |
| Room 10 |
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THE EIGHTIES: The Scapigliata phase of the future Divisionist painters |
| Room 11 (1) |
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1880-1894: Giuseppe Grandi and the Monument to the Five Days |
| Room 11 (2) |
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1880-1894: Giuseppe Grandi and the Monument to the Five Days |
| Room 12 |
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FROM 1880: The evolution of Scapigliata Sculpture |
| Room 13 |
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A PARENTHESIS: The novel charm of the changing metropolis and the Scapigliati’s invention of cityscapes |
| Room 14 (1) |
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THE NINETEES AND BEYOND: Toward an academism Scapigliato |
| Room 14 (2) |
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THE NINETEES AND BEYOND: Toward an academism Scapigliato |
| Room 15 |
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BEYOND SCAPIGLIATURA: The aesthetics of non finish and the creation of modern space |
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